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Brit Noir Collection II Blu-ray with Slipcover (Kino Lorber) [Preorder]
Brit Noir Collection II Blu-ray with Slipcover (Kino Lorber) [Preorder]
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PREORDER POLICY
All items ordered together will ship together when everything is in stock. Please place separate orders if you wish to have your items shipped sooner. Please note that a titles release date change will delay the shipment of your order. We can cancel items out of orders to expedite your shipment as needed. However, we are unable to add items to your order.
Domestic preorders will usually ship before or around release date. Import preorders can take a week to three weeks after release date before they are available to ship to you.
All product release dates, features, and artwork are subject to change.
Preorders are charged when you place an order. If for any reason, I am unable to fulfill the order for this product, the product will be cancelled from the order and a refund will be issued for the product. If you have other items in the same order, this will not disrupt those from shipping out together if and when they become available.
If you need to cancel a preorder please contact me at owner@atomicmoviestore.com
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Preorder scheduled for release on June 30, 2026
The mighty Jack Hawkins (The Cruel Sea, The Bridge on the River Kwai) takes center stage in this triple feature of brilliant British noir. Home at Seven (1952) – Ralph Richardson reprises his role from R.C. Sherriff’s play as a bank clerk whose inexplicable amnesia leaves him without an alibi after a murder-robbery. Co-starring Hawkins and the marvelous Margaret Leighton, this twisty mystery (a.k.a. Murder on Monday) saw Richardson direct for the first and only time in his illustrious career. The Intruder (1953) – The horrors of war come back to haunt a former World War II colonel (Hawkins) when an armed man (Michael Medwin), who once fought bravely under the colonel’s command, breaks into his home. The gripping second feature from future 007 master Guy Hamilton (Goldfinger). The Long Arm (1956) – Reuniting with his Cruel Sea director Charles Frend, Hawkins leads a Scotland Yard investigation into a spate of safe-cracking crimes across England, beginning with the latest heist in London. Known as The Third Key in the U.S., the film adopts a gritty procedural style made popular by Ealing in 1950’s The Blue Lamp.